Top Ten Lists

In this section, I will unleash Mr. Fun, examining any conceivable filmic category under the rubric of a Top-10 list (though more lengthy than a Letterman listing). If any readers of my blog have any suggestions, shoot 'em my way (not literally) and I'll take them under consideration.  

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 Archive: Top Ten Lists

Popular posts from this blog

Top 10 Movies of 2013

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Auteur-ior Motives Editorial note: I wanted to put this list together sooner, so as not to compromise its already dwindling relevance -- but a few important films remained unseen and I felt that their exclusion would render my own personal recollections of the past year incomplete.       It was for me a milestone year in cinema. Perhaps more than any previous year, I devoted significant time to the art form. Buoyed by intense curiosity and passion, I've undergone what I believe is my own loosely attentive film school. In my quest to achieve wider cinematic erudition, there was really no limit to what I could do: Studying filmmakers obsessively, seeking out any literature I could get my hands on, attempting to quantify the quintessence of filmmaking, in the hopes of reducing it to a concept that I could more sufficiently understand; I mean who does this stuff?        But all of this deep stimulation is secondary to the real ...
A-B-C. A-Always, B-Be, C-Clicking.

The Disconnect Between Gambling Films & Modern Gambling

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Guest Post        In the parlance of strange and passionate people and their strange and passionate affairs, gambling films always seem to gather "cult followings" - which generally means their success in the box office is mediocre, but they're still seen as popular films with niche audiences. Indeed, the basic themes presented in these films - risk, reward, getting into and sometimes out of trouble, and hedonistic atmospheres - are certainly appealing windows into a more gratifying form of entertainment. The attraction, an  instinctual  desire to test the limits of your personal success, is not too hard to understand after all. 
A-B-C. A-Always, B-Be, C-Clicking.

The Great Alphabet of Films—J is For

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 Jurassic Park          For me, this selection was easier than "I" because there were really only two formidable contenders. However, there's still a difficult choice to be made. It's either Steven Spielberg's landmark science-fiction film Jurassic Park, or Steven Spielberg's watershed thriller Jaws. Either way, Steven Spielberg owns the "J" category of film. What the "J" category represents is a kind of battle of generations, or at the very least, a tangential appraisal of cinematic history. Does a moviegoer value the birth of the "summer blockbuster" more than the inventiveness of tangibly real, special effects driven extravagance—the latter, which reflects the modernized "blockbuster?"
A-B-C. A-Always, B-Be, C-Clicking.