The Great Alphabet of Films—P is For
Pulp Fiction I've referenced Quentin Tarantino so many times before that I feel like he's already been awarded his own Great Alphabet of films. His extraordinary breadth of influence—or more explicitly, those who have inspired him—permeates most of my broadest cinematic affections. I guess this is why, perhaps perfectly fitting, that I'm moving from a discussion of a Sergio Leone film (whom Tarantino adores for his staggering stylization) to, in my opinion, Tarantino's best film.